Year 2025 in Concerts: Memorable Live Shows Recap

It has dawned on me that the year is coming to an end, and thus it feels relevant to make a brief recap of the concerts I’ve attended during the past year.

We started the year strong with Porter Robinson, which was a really solid gig and an artist that i’ve wanted to see live for a couple of years. It lived up to the hype. A few days after this gig i finally got to see Yung Lean live, who brought a few friends – Gud, Yung Sherman, Bladee, Ecco2K & Thaiboy Digital, this was such a cool gig, to see them play in Globen, the most iconic venue in Sweden. A few days after this gig i went to see Lambrini Girls – this was such a fun time, the energy was through the roof, the music was rough and the vibes immaculate.

In June i went to Rosendal Garden Party, where i attended the day when Kraftwerk & Gesaffelstein performed during one of the best summer days of the year, i love the feelings of festivals where you’re walking around, with a beer in your hand, looking at people having the time of their life – time just sort of stand still, its like a microkosmos of sorts. A few days later in June i attended the Rise Against show, this was my second time seeing Rise Against perform live – the time before that was in 2015. Rise Against holds an important spot in my heart, as it was the band that introduced me to heavier music. Late August i went to Almostafestival in Uppsala, where i saw Karakou, Division 7 and Terra which are three Swedish indie rock/indie pop groups – not my usual cup of tea, but really good and fun live. Mid September i saw Division 7 once again, as part of my brothers 30th celebration – this time they brought out the legend Janne Schaffer on stage to perform a few songs together with them, impeccible.

In October, i managed to see one of my biggest bucket list bands ever, whom are Pendulum. I waited 15 years for this gig, as the last time Pendulum performed in Sweden i was too young to attend, and then the band stopped playing/touring together only to resume. It was an insane atmosphere, and it felt like the majority of the attendees had waited as long as me, to see Pendulum live. Late November i attended the Snow Strippers show – this was fun, but nothing that had a big impact. A few days later i saw Viagra Boys, this was the second time i saw them perform live and it’s always such a good and fun show. I’ve been keeping The Hives in first place of ”Best swedish live bands” for a while now, but i think Viagra Boys is trying to snag this spot. Last show of the year was with the legendary Swedish punk band Refused, as part of their ”good bye-tour”, as they announced they are calling quits after this tour – which ended in their hometown of Umeå, with 3 gigs in 3 days. I attended their 2nd gig in Stockholm, and it was amazing and truly felt cathartic, and that the band gave everything they had. It felt incredible to be able to see them perform, as their album ”The Shape of Punk to come” is one of the most influential albums ever made.

There’s been too many warm up acts to mention, which i feel a bit bad about, but i see you – and i see the hard work you put in.

I’ve already so far booked a few concerts for 2026, to which i am looking forward. We’re starting off by seeing Earl Sweatshirt in January, and Danny Brown in March, Tame Impala in April, followed by Foo Fighters in June. I’ve also bought a one-day festival pass to Rosendal Garden Party for 2026, as i did in 2025. They’ve not yet released any artists for Rosendal 2026, but i am very eager to know.

It’s been a busy year, full of interesting and great shows. And all i know is that next year will be even better.

Until next time, take care.
SLQT

Lorde’s New Album ‘Virgin’: A Deep Dive Review

A week ago Lorde released her fourth studio album, Virgin.
I’ve been looking forward to this release since i first heard the single named What Was That, which turned out it was an absolute banger. I’ve also looked at the Kyle MacLachlan reel on Instagram where he is jamming out to this absolute tune, more times than i would like to admit.

Lorde has been a house hold name for a long time now, ever since her massive debut in 2013, since then she has released music that has always been relevant with her finger on the pulse with her way of combining very well thought through lyrics, with interesting lyrics and an angelic voice.

I must admit, I’ve never delved into Lorde and her music, so this is the first record I’ve spun a couple of times to really try to capture and understand the atmosphere. With that said, i understand the anticipation and praise. I read reviews that mentioned that this is considered her most introspective and self-reflective album to date. From the reviews I’ve read, the opinion of this album seems to be a bit mixed, from 4.5/5 on Rolling Stone, to 7.6/10 on Pitchfork, to ‘decent 6’ (out of 10) by Anthony Fantano.

So, that leaves us with my thoughts. As this is my first deep dive into Lorde, I don’t have the same reference points to her as the above reviewers – as they have listened and reviewed her music before. I am very pleasantly surprised, as I have always known that Lorde was someone I should investigate and explore. The music is well produced, with some bangers and some softer more melancholic songs. The lyrics are thought-provoking, with topics that affect us all. When you combine this with Lorde’s magical voice, you have a recipe for something great.

I definitely think you should listen to this album over the weekend. I’ll be spending the weekend delving into the rest of Lorde’s discography. Since last summer was dominated by Charli XCX and named Brat summer, i assume this summer is Virgin summer?

Until next time, take care.
SLQT.

Top Music Festivals in Stockholm You Can’t Miss This Summer

There’s no denying it, summer is here. Despite the temperatures associated with summer still lacking.

Kraftwerk, Gesaffelstein & Róisín Murphy at Rosendal Garden Party, Stockholm.
Rosendal Garden Party is a three day festival. It has been running in Stockholm since 2022. The event is held at the Rosendals Trädgård, on Djurgården in Stockholm. The three days usually cater to very different audiences due to the variety in lineups. I’ve attended all but one year and it’s such a beautiful time and venue. Djurgården is a very central part of Stockholm, but its so close to nature that being in Rosendals Trädgård you almost forget that you’re just a 15 minute walk away from the subway. This year i went on the friday where i wanted to see Gesaffelstein and the legends, Kraftwerk. We arrived just before Róisín Murphy started to play, and we listened to a few of her songs – what a voice and such a groovy set. When Rosendal announced the lineups for the different days i was fully convinced that i had never heard of her before, but then i checked Spotify and it turns out that she sings on The Truth by Handsome Boy Modeling School – one of my favourite songs ever.

The slot after Róisín Murphy it was time for Gesaffelstein, who’s gotten a lot of recognition in later years after doing collaborations with The Weeknd. I was first introduced to Gesaffelstein back in 2015 or so. The sound mesmerized me as it was so different compared to the other electronic music being released at the same time. The set itself was very cool, as he played mostly his own songs and none of the collaborative songs, despite one instrumental of a The Weeknd song. The headliner of the evening was the legendary godfathers of electronic music – Kraftwerk.

Kraftwerk had a classic setup with their four standing desks with a massive screen behind them, showing animations aligned with the song presently playing. The set itself was nice, they played all of their classic songs, and i’m pretty sure they were actually singing live – kudos!
However, the set itself became a bit slow after a few songs, but it was in no way bad. I imagine it must’ve been way cooler seeing them in their prime. But, it was very exciting to have seen them live.

Rise Against, Annexet, Stockholm.
The Chicago born punk rock band Rise Against played in Stockholm, and i had to go see them. I first stumbeled upon Rise Against in 2004, and they we’re without a doubt the band i listened to most in high school. They also functioned as a massive stepping stone in the music exploration for me, as well as venturing into politics.They have always been very vocal about animal welfare and veganism. This was a great start for a 13 year old me getting exposed to different kinds of politics than what i was facing on day to day in the national media.


I’ve seen Rise Against once before, at the Bråvalla Festival, back in 2015. So, 10 years later it was long overdue to see them perform again. Happy to say that they still put on an amazing and very energetic performance, giving it all during their set. This time they played at Annexet, one of the medium sized venues in Stockholm, with a capacity of a couple of thousand attendees – this suited their performance perfectly. I was lucky to attend the concert with my brother, whom has also loved Rise Against since we were kids, as i played them so much, that he wasn’t able to escape them when growing up. Rise Against has a new album coming out at the end of the summer, and they played a few new songs during their performance. It sounds really good, and i’m excited for the future of the band that i fell in love with so many years ago.

Until next time, take care.
SLQT.

Spring Concerts Recap: Porter Robinson, Yung Lean & Lambrini Girls

It’s saturday, sun is shining, and spring has finally sprung.

I thought i would give a brief re-cap of the latest concerts and show’s I’ve attended.

Porter Robinson at Berns, Stockholm.
Porter was a big influence in my journey in electronic music. When Porter released his album Worlds in 2014 the popular electronic sound was very repetitive leading up to very heavy drops, with groups such as Swedish House Mafia being one of the biggest acts of the time. So, when i first stumbled upon Worlds by Porter Robinson, i was pleasantly surprised, as it contained softer tunes, with thoughtful lyrics that is being heavily obfuscated by the production. Since then Porter has released two more album, Nurture and SMILE!:D. This concert was part of his SMILE!:D tour, but the set was divided into three sections, one for each album. The three albums have very different vibes and differ quite a bit musically as well,

Yung Lean at Avicii Globe Arena, Stockholm.
When i first heard Ginseng Strip 2002 back in 2014 or so and thought it was terrible and i didn’t get it at all, figuring it was a song made by kids as some sort of joke. The only thing i was correct about was that the track was made by kids. Ever since then Yung Lean, Sad Boys & Drain Gang has produced so much music. Most of it absolutely beautiful, genre creating and fashion inspiring. It was beautiful to see the kids born in Stockholm fill the most iconic arena, Globel, in Stockholm. I had a hunch there would be some features, Whitearmor was said to be opening act, and i assumed Gud would be there aswell – since he has produced so much together with Yung Lean over the years. But all in all Whitearmor, Gud, Bladee, Ecco2K, Thaiboy Digital & Yung Lean performed this evening.

Lambrini Girls at Slaktkyrkan, Stockholm.
Slaktkyrkan is one of the smaller venues in Stockholm, fitted into an old industrial area, full of venues in different sizes that still has the rough industrial feel to them. This was my first time attending a show at Slaktkyrkan. Before january this year, i had never heard of Lambrini Girls – but as they released their first album Who Let The Dogs Out they started to get some traction in channels that i follow online. And after i saw them being mentioned a few times over a couple of days by content creators i respect had spoken about Lambrini Girls, i felt i needed to give it a listen. I really liked it, its raw and rough, very fun punk. I sent it as a recommendation to a friend of mine, who said that they were playing in Stockholm a few weeks later. So we got ourselves some tickets. The show was really fun, there was a lot of action, the singer constantly went out and performed in the audience, and she also climbed a pillar and stage dived. It was such a fun gig.

Until next time, take care.
SLQT

Why Lambrini Girls’ Album is a Must-Listen This Weekend

It’s friday, and that means the weekend is just around the corner. What time would be better to spend some time listening to some new music, rather than the weekend?

This weekend i will recommend that you listen to the album Who Let The Dogs Out by Lambrini Girls. This album was released on 10th of January, 2025, so it’s fresh out the oven. This album is the debut album from the UK punk band. They have released EPs and singles before. Lambrini Girls first popped up on my radar in January 2025 as i started seeing the name being mentioned in comments and from profiles in social media. But it took me until yesterday to give this album a listen, and i was very positively surprised!

Who Let The Dogs Out by Lambrini Girls is some sort of punk hybrid between Amyl and the Sniffers & IDLES. The instrumentals are hard hitting, and the tempo is very high, sounding like classic punk – with lyrics that are ranging a bunch of different subjects, but often anchoring in the female experience of life.

This album will stay in my frequently played albums and i hope that it might intrigue you, as it intrigued me.

Punk is not dead!

Until next time, take care.
SLQT.

Top 3 Albums of 2024: A Year in Music

I figure one should do one of these end of the year lists. So, why not, albeit one month late – at the end of times, who cares?

The musical year of 2024 was one of undoubted greatness, we were gifted so much good music by so many talented artists. The making of this list has been difficult, but in the following text i will present my top 3 favorite albums of 2024, as well as a wild card.

On third place we have GNX by Kendrick Lamar.
Out of the blue in late November of 2024 Kendrick dropped GNX without any sort of indications about there being an album in the makings, especially since Mr Morale and The Big Steppers was released in 2022. I find myself coming back to GNX every once in a while, and it is one of those albums i enjoy listening from start to end, in one sitting, and that it enhances the listening experience. Kendrick Lamar is still the magical lyricist that he has always been, and he just keeps on getting better with time. The albums contains of a grand total of 12 songs, but the one that stands out to me the most is reincarnated.

On second place we have Brat by Charli XCX.
There’s no way of looking past this album. I’ve followed Charli’s musical career since back in 2012 or so, and it’s been so fun to follow along and see her having the world in the palm of her hand with the release of Brat. The album is such a fun and wild experience throwing you party anthems, to reflective thoughts about life an self doubt. While there are a grand total of 15 songs on this album, the one that stood out to me the most is So I, and it brought me to tears the first time i heard it – as i realized that it’s about the brilliant producer SOPHIE, that we lost way too early.

On first place, standing as the best album of 2024, we have Romance by Fontaines D.C.
I slept on Fontaines, i was late, i didn’t find out about this Irish rock band until mid 2023 – but wow, what a great find. The first song i heard was Jackie Down The Line and it painted such a vivid image in my head and i loved the storytelling of the track and for some reason it made me think of the novel Shuggie Bain. So when the album Romance was released last year, my expectations were set rather high. The album starts with a song named as the album, followed by a song called Starburster, and half way through Starburster, my jaw was at the floor. What a great song, and fun use of voices, as well as tempo changes – it’s all over the place, chaotic and so, so good. Besides Starburster, my honorable track mention of this album is Motorcycle Boy, that has become my favorite, by far.

As of Charli, Kendrick & Fontaines D.C, i’ve heard them before, and heard about them before. But the honorable mention, wild card or whatever you want to call it, is an artist i had never heard of before and stumbled upon on Instagram by pure luck.

The honorable mention/Wild Card of the musical year 2024 is the album named beats from the underground by artist Skyr0.
That first song i heard was chronically offline and the caption of the video was: ”pov: u make edm for introverts that go on late night walks instead of raves”, and i was intrigued by that caption. I looked around the account and saw that she was releasing a full length album, just around that time i saw the video. So, as soon as it was released i gave it a listen, and then once more. I find myself coming back to this album and i feel i enjoy new, or different parts of songs every time i listen to it. Fragments of songs on this album reminds me, and makes me think of Burial, someone who i hold as one of the best ever in this segment of music. The song i often find myself coming back to the most is mercury.

I think we have a great musical year in front of us, i have a few upcoming concerts that i look forward to, as well as new music in general.

Until next time, take care.
SLQT.

February 2024 – Music recap.

Howdy!
February has come to an end, and just like i did at the end of January, i will provide a small recap of the albums i have listened to. My first thought back in January was for these recaps to just be about new releases that i listen to, but i figure i might as well add albums that are new to me, like stuff i have never listened to before. This month i listened to quite a few EPs.

Let us dive right in.

Dreamfear/Boy Sent From Above [EP] – Burial
Burial is one of my favourites. Since i was introduced to his album Untrue a while back, he’s always on my radar, i wasn’t the biggest fear of Antidawn EP, but i appreciate that he evolves and tries new things.. There’s something so fascinating and magical about his music, and the way it’s produced, with the samples and groove. Dreamfear/Boy Sent From Above is no different from many of his other things, it’s a 2 track EP with a total length of 26 minutes and 16 seconds. With his latest releases i think that he has come back to the sound that i like and love, and this new EP is a perfect example of the magic that he creates. As written above, this EP only contains two songs, but those two songs feel like they each contain five different songs, because there’s so much happening, and so many breaks and changes taking place.
9/10.

Drop 7 [EP] – Little Simz
My first introduction to Little Simz was when she featured on a Gorillaz song, and then she was the warm up act when i saw Gorillaz perform in Stockholm back in 2018, and i fell in love. Little Simz has since then released three full length albums that i’ve been bumping ever since, and many of her songs are part of my main playlists. For me, i very much enjoy the lyrics of her songs, and i really like how she masters the flow and lyrical presentation. Drop 7 is a bit different from her earlier works, and it has a more electronic/industrial focus – something that i often enjoy. My first was that i did not really like it, but it also intrigued me, and challenged me. Since the album has been out for about a month now, i’ve spent some time listening to it several times and it has grown on me.
7/10.

Loss of Life – MGMT
MGMT released a new album that i was looking forward a lot to. I’ve been a massive fan of MGMT ever since they released their first album, Oracular Spectacular, back in 2007. One thing i do enjoy about MGMT is that they evolve and change their approach and sound a lot – and their albums tend to have a ”red thread” that brings the album together as a whole entity. And that is what i did not like about Loss of Life, i could not find that red thread that brings the album together, and creates the magic that you can find in an MGMT album. No doubt about it, the production is great, the instrumentals are great, the song is great – but they are not working together as i would expect.
6/10.

Birthday Girl – Sun Kil Moon
Sun Kil Moon is the moniker of Mark Kozelek, who was in the band Red House Painters. As Sun Kil Moon he has released 13 studio albums. I have over the years listened a lot to Sun Kil Moon, with my first introduction to Sun Kil Moon was with the release of Common as Light and Love Are Red Valleys of Blood which opened up my eyes for his work. The songs are often very downtempo, with melancholy lyrics often describing very ordinary and mundane things in a beautiful way – and that is what i have enjoyed from Sun Kil Moon. Birthday Girl somehow misses the point completely, something just does not work here. The lyrics might be melancholy, but something is just off. I don’t know how to describe it – but i did not find this album intriguing or good, at all.
2/10.

Until next time, take care.
SLQT.

New music recap – January 2024

I always listen to music, and i listen to a lot of music. My Spotify wrapped 2023 put me down for 163 000 minutes which is a lot. But i am not very good at actively seeking out new releases. So, that is a thing i will try and do more of in 2024.

For January i have listened to four albums that was released in January 2024, and below i will list them, give some of my thoughts about them, as well as a 0-10 score.

ORQUÍDEAS – Kali Uchis
Kali Uchis has become a house hold name over the last years and she has put out a lot of fantastic music and featured on many more. This is my first time listening to one of her albums from start to finish, as i’ve mostly heard heard her in different features with artists such as Bootsy Collins. The titles of the tracks are all in spanish, and the lyrics are mainly being sung in spanish, with some english. As i only know a few words in spanish, the lyrics made little sense to me – but the production is very good, and the instrumentals are very cool. My favourite track of off this album is No Hay Ley Parte 2. I read an article the other day about how music sung in spanish is making a big impact, and has been on a steady increase these last few years.
5/10.

People Who Aren’t There Anymore – Future Islands
I stumbeled upon Future Islands when the festival Coachella was streaming concerts on Youtube a couple of years ago. I had never heard of Future Islands before, but since then, i have often returned to them, as i fell in love with their catchy yet smooth melodies, and intriguing lyrics. This new album is no different, it sounds like a Future Islands record, and i’ve really been enjoying it thus far. My favourite track off of this album is The Tower.
7/10.

Saviors – Green Day
As a 90s kid Green Day has been a big part of my musical journey, eventhough, i haven’t been as into them as many have. My first exposure to Green Day was when they released American Idiot in 2004. This lead me to finding their 1994 album Dookie, which holds a special place in my heart, that i often come back to. On this new album, Saviors, they really are trying, for which i give them kudos for effort – but something really is lacking, badly. I do however think that Dilemma is a genuinly good song.
2/10.

Wall of Eyes – The Smile
The Smile is one of Radiohead front man Tom Yorke’s many different projects. Wall of Eyes is the second album from The Smile, and my first exposure to this particular Yorke project. I went in without any thoughts about how this might sound, as i really had no clue. I was floored, and according to my Last.fm-statistics i’ve already listened through it 8 times this wee, not bad for an album that was released a week ago. I’d describe the sound of this album as a slower, and somewhat easier to digest, compared to much of the Radiohead stuff. My favourite track off of this album is Teleharmonic.
8/10.

I think we have some good stuff to look forward to for February. For example, Burial released a new EP yesterday!

Until next time, take care.
SLQT.

Top 1 album of 2023.

It’s been long overdue, but here it is. Short, and sweet. My favourite album from last year, 2023, that is.

It came out of nowhere, from a long hiatus of music releases from the band. I wasn’t sure that they would ever release new music, since 11 years passed from their latest studio release, before the release of this album.

Alright, that’s enough beating around the bush. My favourite album of 2023 is The Death Of Randy Fitzsimmons by The Hives. As written above, the album was released 11 years after Lex Hives was released.

The Death of Randy Fitzsimmons is a classic, and a perfect The Hives album. I want to preface this with saying that i’ve loved The Hives since i was a child, and i’ve had the great fortune of seeing them play live twice. Once in 2014, and another time in 2022. I still refer to the 2014 Hives-gig as the best concert i’ve been to – and i’ve been to atleast over a hundred shows by now.

So, when i saw that The Hives was releasing new music, i was excited, but also a bit scared, since it’s been so long since they released new studio music. Time passed, the album was released and i saw that the swedish music magazine Gaffa gave the new The Hives album a perfect score, 6/6, and that surprised me, and reinforced my scare of the new album – as me and Gaffa does not very often see eye to eye on new releases.

A bit worried, i decided to give the new album, The Death of Randy Fitzsimmons a chance. And i was blown away. It was a perfect The Hives album. I listened to it like four times, back to back, to try and find something wrong. But i couldn’t find it.

The album is 12 song long and spans 31 minutes and 32 seconds. And it contains all the elements that makes a Hives album, a Hives album. From punk that feels like shoving your face into a brick wall, to the gentler parts, that build up to the crescendo of the tracks.

Seeing people posting their top 10 album of the year-lists, and music magazine making their lists, made me realize that i do listen to a lot of music – but i rarely listen to new releases. It’s something that i need to improve, and that is something i am going to try and do this year.

Until next time, take care.
SLQT.

A brief recap of the latest shows.

Dear reader,

My last post was a while and regarding me attending the Death Cab for Cutie show in Stockholm, late winter. Since then i have been to a few show, not many, but a few. And unfortunatley, i do not have any new upcoming shows booked.

Back in April i saw Godspeed You! Black Emperor at Berns Salonger in Stockholm, an old venue with a lot of cultural heritage. The show took place in a beautiful ballroom that helped create a fantastic atmosphere together with the magnificent and spacious music. The warm up act was a band called MANAS, they played music in a similar genre and it felt like a very fitting warm up act. This gig was very cool, and i am very happy that i catched them when they were in Stockholm!

A few days later in April, i was able to catch Arctic Monkeys when they played in Globen, in Stockholm. I’ve been a huge Arctic Monkeys fan since i i first heard Whatever People Say I Am, That’s What I’m Not back in 2006. However, i haven’t ever been able to catch them playing live. When the tickets to this gig was first announced, i lucked out and wasn’t able to get any tickets, and this bummed me out. However a few days before the gig the promoters announced that they had found a few more tickets, and i managed to snag a ticket on the floor.
This show was fantastic. Arctic Monkeys last two albums has been met with a wide variety of reactions and the feedback has been ranging from bad to excellent. I think their last two albums has been cool. I love when bands shake up what they are doing, and try to evolve as bands over time. If i don’t like their new releases, i can always fall back on their old content. For this show, the mix of new songs and, old songs was nicely weighed. I missed a few songs that i would’ve liked to hear – but, since this was a show promoting their new album, i was positively surprised of the mix of new and old.

Mid May, a friend and i, on a whim went to see BORIS and Pupil Slicer when they were playing at Debaser in Stockholm. Debaser is a good venue, they host a lot of smaller acts and the venue is located under a road, and the venue itself is a bit rough and sparesly decorated. A couple of years ago i saw the danish band Iceage play at Debaser, and i fell in love with the venue.
As for BORIS and Pupil Slicer, i had no real knowledge about them, and i had at most heard a few songs from BORIS completely randomly – Pupil Slicer on the other hand, i had never heard anything from, or about them, either. They play a very different type of shows, but some of the music have some overlapping. Pupil Slicer played a hardhitting and rough metal set, and it was great! BORIS played a very, very hard set, that was very theatrical! I did enjoy this set very much!

Early June i went to Rosendal Garden Party on Djurgården, in Stockholm. As soon as they announced that Aphex Twin would be headlining the saturday, i got myself an early bird ticket, not knowing any other act that might play. Later, closer to the event, Rosendal announced that Fever Ray would be playing aswell, on the same day as Aphex Twin – i was thrilled, let me tell you! I’ve been a long time fan of Karin Dreijer, since the The Knife days.
It was a beautiful sunny, yet cold day outside in Stockholm. Fever Ray played the slot before Aphex Twin and they put on a great show, playing a bunch of songs from their latest album.
The headliner of the night was Aphex Twin, and this was his first concert in Sweden, ever! And you noticed that it was a special thing – comparing the crowd from last years Rosendal Garden Party, the crowd was way more international this year, as well as there was a lot of swedish musicians and people in the cultural sphere.
I had no idea what to expect from Aphex Twin, and i was completely mind-blown. He played very few of his own songs, and it was mostly a HARD electronic set, with an insane light show, the craziest i have seen. There was some parts he played that sounded like Aphex Twin, but that i haven’t heard before – which leads me to believe that there are new releases coming in the near future! Since the gig he has released an EP that was really cool. Hopefully we can get a full album soon. It’s already been 9 years since SYRO was released.

Until next time, take care.
SLQT