EP: Lice Two: Still Buggin’ – Lice, Aesop Rock, Homeboy Sandman

The second EP from Lice, also known as Aesop Rock and Homeboy Sandman has been released to streaming platforms. Just like the first Lice EP, this music is entirely new to me, it somehow flew over my head. Probably because it hasn’t been available at Spotify, which is my absolute go to for music.

So, i see this as a completely new release, which is fantastic. Lice Two: Still Buggin’ is a 5 song EP that spans over 16 minutes and 9 seconds and the tracks are performed by Aesop Rock and Homeboy Sandman. There seems to be different producers on almost all of the tracks, and you can hear that while listening to the tracks. The different tracks have very distinct sound that separates them from each other. I think the difference in sounds makes this EP even more interesting, however i do believe that i enjoyed the first Lice EP a bit more.

My favourite tracks off of this new-old EP is Oatmeal Cookies, it goes really hard and it just spoke to me in a way.

I hope that you give this EP a listen, and let me know what you think!

Until next time, take care.
SLQT.

Single: There’d Better Be a Mirrorball – Arctic Monkeys

The other day Arctic Monkeys revealed that they’re putting out a new album – the first new music from the brittish band in four years. The new album is called The Car and will be released on the 21st of October, 2022.

However, today they shared a video for their new song, There’d Better Be a Mirrorball, thats supposedly the opening track from their upcoming album, The Car.

My first impressions from the single, There’d Better Be a Mirrorball, is that they’re keeping a bit with the sounds that they worked with on their last album, Tranquility Base Hotel & Casino. A somewhat slow paced, melodramatic and scaled down sort of song. I think it sounds very good, and very promising, Alex Turner has the voice of an angelic creature so these kind of scaled down songs that focuses heavily on the vocal fits him and his voice excellently.

As someone who’s been listening to Arctic Monkeys since day one, i must admit that i love their earlier, fast paced, hard hitting albums and tracks. I do however enjoy this new direction that they’ve been taking lately, as i love when a band let’s their creativity live on and that they feel like that they can experiment with different styles and genres. Nothing is more boring than a band that gets stuck in a sound, and refuses to leave it. Since you’re always able to go back and listen to those earlier releases, whenever you want to.

I am very intrigued and i am looking forward for the release of the new music, and upcoming album from Arctic Monkeys. Give this new single a listen, will you!

Until next time, take care.
SLQT.

Lazy Summer Day / Chinese Restaurant – Yung Lean

Today Yung Lean dropped some new music. A two track single featuring the songs Lazy Summer Day & Chinese Restaurant. I always get a bit excited whenever the swedish phenomenon Yung Lean drops new music, and i’m always quick to check it out, whether it’s an album or a single.

I love these strange, no context, tracks that drops as singles whenever he, Yung Lean, feels like it. It’s one of those things that the internet and streaming platforms has made possible, and i think that it’s very fun that it is possible for the creators to just throw it out there, without long waiting times and always having to do a big release out of it. These two tracks has a combined lenght of 3 minutes and 37 seconds – so it’s two songs in a short fashion, which is straight out of Yung Leans playbook. The production is interesting and Spotify lists Rami Dawod as the producer. According to Genius these are the first two tracks that Rami Dawod produces for Yung Lean, however he’s listed as producer for a Frank Ocean track, and also a Camila Cabello track.

Both of these songs sound like Yung Lean tracks, and i got more excited and intrigued by Chinese Restaurant, than i got by Lazy Summer Day. However, i find both track intriguing and interesting. Chinese Restaurant is going straight into my regular rotation!

Give these new singles from Yung Lean a listen, and make your own opinion. I, recommend both of them!

Until next time, take care.
SLQT.

The Pine Walk Collection

I had some ideas this morning of some projects that i could be writing about. But i wasn’t really feeling any of them, so i started to go through in my mind what i’ve been listening to lately, that i could write about from heart. And hence this post about The Pine Walk Collection on Mixcloud.

The first time i heard about his project was serveral months ago when it was brought up in the swedish speaking podcast called P3 Klubben, and one of the hosts introduced this musical project to us listeners – and i got hooked immediately.

The Mixcloud page of this project describes itself as:
”DJ Sets from Fire Island Pines & New York City (1979-1999). These tapes were found in a recently purchased house on Pine Walk. There are over 200 tapes in total and they have been carefully digitized and remastered and offered to stream for free here on Mixcloud with permission from all of the living DJs we were able to contact.” and it also links to this The New York Times article about it.

There’s so much pure joy in these sets, and you get introduced to so much new and fun music – however, sometimes it’s rather frustrating since some of the tracks never got officially released – so it’s impossible to find them outside of the sets from The Pine Walk Collection. This musical collection is a sort of a time capsule. I have listened to far from all of the sets from the collection, but i’m working myself through them. My favourite so far is this set: Michael Jorba . Heaven Must Be There . May 1985 .

I hope you give this collection a listen! I recommend it! Only unfortunate thing is that you can only listen to it on Mixcloud, either on the website or in the app. And while it’s free, some ease of life features are behind paywalls.

Until next time, take care.
SLQT.

The Forever Story – JID

Atlanta rapper JID released his third album yesterday. And i’ve been listening to it. Following is a brief text about JID and the new album The Forever Story. I will preface this text with some transparency and honesty – i have never actively listened to JID before, somehow he’s flown under my radar. Which made this release of new music from him, all more exciting for me, as i get to experience a whole new artist and his artistry. I came in with zero expectations, and zero knowledge of what i was going to hear – since i had no clue of JID’s existence until like yesterday when Anthony Fantano, TheNeedleDrop, wrote a tweet about listening to this new album on his segment called New Music Friday. And i figured, hey, maybe i should give it a listen aswell. So have i done.

It’s an interesting album since it has a wide variety and range in the elements featuring the album. You got a real heavy bass, that hits incredibly hard on some tracks, following piano features, and same sample as Mos Def uses in Ms. Fat Booty. And then you have wide range in the singing, from extremely quick rapping, to RnB sounding songs, some spoken word and also some gospel. This album points in every direction. Yet, it doesn’t sound strange. Somehow the tracks come together in a beautiful way and that i find very interesting and impressive.

On some songs we get this insanely heavy rap music, with extremely quick rapping on the track Can’t Punk Me (feat. EARTHGANG). This track goes very hard. And the tracks that are similar to Can’t Punk Me are the ones that i prefer on this album. I appreciate the range, width and variety of the album but i have a hard time getting into the tracks that sound more like RnB. I do however believe that this album benefits greatly from the variety of musical genres and elements as it lifts the whole experience. And however much i love the hard hitting, fast paced rap-songs, i think that for just under an hour (the lenght of the album), it might have become a bit stale.

The lyrics are sometimes very introspective and feels like pure poetry. And from time to time i thought that we had features from Kendrick Lamar, as the lyrics and the voice got into a similar range as Kendrick Lamar does. On Genius.com you’re able to read the lyrics to all the tracks to get a better understanding of the lyrics.

For me this was a great introduction to JID, and after publishing this post i will check out his two previous albums and hear what they are about. I find it hard to rate albums and give them a score, but i am sure i will get more comfortable doing it, the more i do it. I’d rate the new album from JID as a 7/10. There are parts i thoroughly enjoy and there are parts that i found rather slow. However connecting these different elements together helps to lift the overall feeling for this album. I recommend that you give it a listen!

Until next time, take care.
SLQT.

Best of Release Radar – Week 34 – 2022.

Spotify features this thing called Release Radar, which consists of 30 songs that are newly released. The description of the playlist is, rougly translated from swedish to english, as follows: ”Listen to the newest music from artists that you follow, and also new singles that has been chosen for you. Updated every friday.”.

And i figured that this could be a fun part of the Laces Shoes & Funky Tunes website could be a consistent update. Every week, i pick my three favourite tracks from my Release Radar Playlist. I will however preface that many tracks on my Release Radar Playlist is remixes of older songs, that has been released a long time ago, and already has been remixed several times – but sometimes, these mixes are golden. An example of this would be that i this week have gotten a remix of Avicii’s track Malo, a track that was released back in 2011. So, it’s always rather fun to go through and see what’s been released lately. I assume that these remixes mostly connects to the artists that i follow, and the rest of the tracks on Release Radar can be whatever Spotify imagines that i would enjoy. I do want to preface this list with, that some weeks you get 10 absolute bangers that go into your regular rotation on Spotify, but some weeks it’s a struggle to even find one track that sticks out.

I will list the three songs that i pick, without any special order. If they’ve been picked, i enjoyed them.

The first track that i will mention on this weeks Best of Release Radar is the track called Let It Breathe by the rapper Joey Bada$$. This track was released as a single that features on his new album called 2000. I must admit that i have a somewhat of a soft spot for Joey, i’ve been listening to him for a long time and i think that most of his releases are very good. I was bumping his 2017 album ALL-AMERIKKKAN BADA$$ so much when it was released, and i still come back to it regularly.
I enjoy the sound of Let It Breathe, it’s hard to describe closer what it is, but there’s something in it that speaks to me. And i’m always fascinated by the flow and lyrics of Joey and his tracks.

The second track that i will mention on this weeks Best of Release Radar is a track called Before You and its by BCee, Charlotte Haining and Emba. This is some sort of electronic, possibly a liquid house track – let’s say that it is. I always find these kinds of songs hard to put in a genre of sorts. The track is rather soothing and it has this strong female lead voice, that a lot of songs in this genre has. However i feel like the singer, who i assume is Charlotte Haining, complements the track in a good way. I believe that Before You will go into my regular rotation of songs.

The last track that i will mention on this weeks Best of Release Radar is a track called ‘Til Dawn by Rebecca & Fiona, Chinaski. I’ve been a fan of Rebecca & Fiona for years, and i do enjoy the path and direction that they’re taking with their new music. I get the feeling that they’re not afraid to try something new and different from what they’ve done before. I have no prior knowledge of Chinaski, however i am going to dwell deeper into Chinaski and see what kinds of music has been produced by them before. ‘Til dawn gives me a feeling that i am driving in Miami in the mid 1980’s on your way to a cool party, and i enjoy it. It sounds nice and comforting. Like the world lies before your feet.

Honorable mention as the worst track that i got on this weeks Release Radar is You Make Me Feel Like It’s Halloween by Muse. This is, i don’t even really know how to describe it. Give it a listen. I feel like there are no redeeming qualities to this track. Which had me rather surprised as i do enjoy Muse a lot, and i’ve seen them live in concert once. However, this time they are completely off the rails

It seems as this was one of those weeks when the tracks on the playlist is rather weak. I had some trouble picking the three tracks that i enjoyed the most. I hope that you have an easier time picking out your favourites from this weeks Release Radar playlist.

Until next time, take care.
SLQT

Anatolian Rock Revival Project

A couple of years ago a friend of mine linked me a playlist on Spotify that’s called Anatolian Rock Revival Project and the description of the playlist is as follows: ”An art project dedicated to bringing non-mainstream pieces from Turkish Rock History (1964-1980) into the light with unique artworks.”. Neither my friend or i speak any turkish, but you don’t need to speak turkish or understand the lyrics to be able to enjoy the purity of the music. However it sure would be fun to understand the lyrics to the songs, alas i’m not sure if i would enjoy the tracks in the same capacity – since rock music from this era in the western world, with lyrics that i understand, sometimes are quite cheesy.

There’s something so wild and excellent about the music, since i can’t comment on the lyrics, the statement before connects to the instrumental parts of the songs, aswell as the singing – because you can get a feel for the lyrics from the voice and emotion of the singer.
However, the instrumentals are so good, there’s just something about that old, raw rock music that really connects back to the time when it was produced. Most of the other rock music that most of us westeners has enjoyed stems from the western part of the world, yet somehow some of the songs in this playlist sounds so similiar to the western counterparts. However, the Anatolian Rock Music from this era also brings in instruments that wasn’t being used in the western counterparts of the music from the same era, since it connects to the more classical and ”folky” music from the Anatolian region, aswell as other elements, of course.

You somehow always fall back into what you’ve grown up listening to, and i assume that the same applies to the rock music in this playlist. You see that in a lot of music, that you implement sounds that comes from the folk music from the region that your roots stem from.

As i’ve been listening through several of these Anatolian rock-playlists during the years i’ve noticed that a few of the songs has been sampled in new and modern music, which is rather fun! I think that speaks volumes for atleast the instrumentals from this region during this era – that rock music from the 60s to the 80s, in the Anatolian region gets sampled into newly produced music. One of the artists that i’ve been listening to a lot before i discovered the Anatolian Rock Revival Project is the rapper Action Bronson – so, figure my surprise when i recognized some instrumentals and some hooks from the Anatolian music, as it turns out that Action Bronson seems to rather heavily sample from these old Anatolian Rock songs. I really enjoy that, it gives people the chance and possibility to broaden whatever music they listen to, as they subconsciously gets introduced to other sorts of music, as they get sampled into different kind of genres of music.

This playlist is something i often find myself wander back into, and i feel that i both listen to it actively, but also keep it in the backround sometimes as it’s so very easy to listen to, in my opinion. I hope that you’ll give the Anatolian Rock Revival Project a chance. I give it my stamp of approval.

Until next time, take care.
SLQT

Lice – Aesop Rock – Homeboy Sandman

Some weeks ago i saw Aesop Rock posting in social media, linking a new single called Catfish. It was released under the collaborative title of Lice, which is Aesop Rock and Homeboy Sandman. I’ve since before known that they’ve done projects together, but i haven’t really listened to anything by Homeboy Sandman. I really enjoyed the new single, Catfish, and i enjoyed the symmetry of the collaboration of Aesop and Homeboy Sandman – they bounce off of eachother in a unique way that empowers their respective verses on the track.

A while later i saw that Aesop posted on social media that he was releasing 3 EPs/Albums under the collaborative project named Lice over the next three coming weeks. This amped me up, i love new releases from Aesop. He rarely misses, and i really enjoyed Catfish. Homeboy Sandman pleasently surprised me with his bars, and i will surely pay him more attention in the future.

Today the first EP, Lice (Spotify-link), dropped on streaming platforms – and firstly it confused me, as i expected it to show up under ”Newest releases”, but instead it showed up as published in 2015. However after some digging it turned out that this EP was released back in 2015, but haven’t been on any streaming platforms (except Youtube, since its debut. This somehow flew above my head.

Lice is a solid EP, it consists of five tracks, that span over 17 minutes and 17 seconds and features a Fort Minor remix. Aesop and Homeboy Sandman bounces off of eachother during most of the songs and the songs differ in style. I must say that Environmental Studies easily is my favourite track of this EP. I think i will dive deeper into why that is, in another post in the future.

I see myself as a big Aesop Rock fan, and somehow i’ve completely missed this EP – maybe, and probably, because it hasn’t been on Spotify since before today. This means that this is a completely new release for me, and for that i am grateful. For others that have enjoyed, consumed and devoured Lice before, this release probably comes as a ease of life release, as it makes listening to the EP, easier than on YouTube.

I don’t know if the other two EPs also has been released before, and that they’ve flew over my head, or not. However, i am eagerly awaiting the release of them.

Until next time, take care.
SLQT.

200822 – The Hives – Live

This will be a brief review from saturday when The Hives played a live show in central Stockholm.

Last week Stockholms kulturfestival (Stockholm festival of Culture), took place over several days within the central parts of Stockholm. There were live concerts, standup comedy, food trucks, beer tents and everything imaginable that falls under the ”culture umbrella”. And the beauty of the whole festival is that it’s free of admission.

I saw The Hives at Bråvalla 2014, and i consider that the best live performance i’ve ever been to, they put on a show like no one else does. So, when i saw that The Hives would play a free show in Stockholm i convinced a couple of friends that we should attend.

The scene was put up at Gustav Adolfs torg, right next to Kungsträdgården, in front of the Opera and inbetween The royal castle and The Parliament. About as a central of a location you can have in Stockholm. The Hives is rather interesting because they’re big in Sweden, but a million times bigger abroad, than at home.

They played a very Hive-esque set, fast paced songs, with showmanship inbetween the songs, and during the songs. The whole band is very fun to watch, as it seems as they have a good time performing. And Howlin’ Pelle might just be the most charismatic front man in the music scene.

The Hives performed all their biggest hits and it was very good. They had an encore. The show featured a lot of the same things that i partook in when i saw The Hives perform in 2014, so their performance is very tight, as they’ve perfected it over several years of performing.

I recommend anyone that has the possibility to watch The Hives perform, to take the possibility as they put on a show like no one else does. It’s very fun. I have a hard time scoring this set, but i’d give it a steady 8/10.

Until next time, take care.
SLQT.

LORN – YESTERDAY’S PAIN / CUT THE ANCHOR

LORN has released two singles that are found on his bandcamp page, they’re called YESTERDAY’S PAIN and CUT THE ANCHOR. I fell into the music produced by LORN by accident, as it was recommended to me by a friend, he recommended the track called Acid Rain from the album called The Maze To Nowhere. I really like the gritty and dystopic sound of the tracks that LORN produces and i’ve had Acid Rain on heavy rotation ever since it was recommended to me.

These two new singles follows the kind of patented LORN sound, with that dark, gritty and dystopic sound that reminds you of some kind of haunting of the soul. I love the sound, and you can sense that LORN has been influenced by Burial and his earlier sound, from Burial and Untrue. I am writing a text about the new EP released by Burial, it should be up any day now.

I got very happy when i saw on /r/ElectronicMusic that LORN had released two new singles and i went to check them out as soon as i could. As i wrote earlier, the sound follows the classic sound that is almost to be expected by LORN. The sound is almost atmospherical and eerie and it builds a tingle and a sense in your body. Some parts of YESTERDAY’S PAIN made me think of some tracks by Oneothrix Point Never. I really like these two new singles, and hope that there’s more to follow in the same direction. Looking forward to the future of more LORN.

Until next time, take care.

SLQT.